Original Sin Biography

While some of you may not be 100% familiar with the name Original Sin, all will become clear when you realise that this is the new production alias of none other than Adam Tindall, one half of the undisputed kings of dancefloor drum & bass, G Dub.

Born and bred in Newcastle, Adam was initially drawn to D&B by albums such as the incredible ‘Platinum Breakz’ compilation from the Metalheadz camp, and Grooverider’s legendary ‘Prototype Years’. His love for the music grew and grew until the desire to become more actively involved in the scene took hold and he took up DJing shortly before enrolling himself at Music College.

It was at college that Adam met Jake Carter and the infamous Generation Dub was forged. However, it wasn’t long before the Adam realised that Music College was a pointless pursuit and he decided to quit in order to concentrate fully on making music at home. It wasn’t long before drum & bass legend DJ SS snapped up two of G Dub’s early productions for his Reformed imprint.

The successive deal with DJ Hype & Pascal’s Ganja imprint proved to be the making of the G Dub franchise, as Adam and Jake’s studio let off more anthems than an Olympic Games opening ceremony and tracks such as ‘Tink Ya Bad?’, ‘Warp Speed’ ‘Forever’ and ‘Beast City’ collectively smashed up more dancefloors than a specialist nightclub demolition team.

In early 2008 Adam and Jake parted company and Adam decided to pursue solo avenues under the name Original Sin. The ridiculously heavy ‘Don’t Be Silly’, ‘Cheater Cheater’, ‘D For Danger’ and his remixes of Shy FX’s classic Ebony Dubsters track ‘Rah’ and Rufige Kru’s ‘Monkey Boy’ have gone a long way to stamping his individual mark on the Drum & Bass scene.

Original Sin shows no signs of slowing down, though, as Adam prepares to drop the huge ‘Dr Feels Good’ EP on Playaz, showcasing a completely refined and mature sound which is as deadly on the dancefloor as it is on the radio.

Biography by Infectious PR

Jeryl [at] infectiouspr.com

Ed Rush Biography

There aren’t many artists who can claim to have changed the face of a genre of music, let alone to have changed that face more than once. Ed Rush, however, is an exception to that rule. Ever since his first production outings alongside his neighbour (and infamous owner of No U Turn Records), Nico Sykes, Ed Rush has consistently proven he has the ideas and attitude to transform drum & bass and is never afraid to push that infamous envelope.

Moving through the sounds of hip hop and electro in his early musical years, like many of his peers Ed Rush became fascinated with the burgeoning rave scene that was blowing up his hometown of London. The breakneck speed chopped breakbeats and piles of sub-low bass appealed greatly, and it wasn’t long before Ed Rush had convinced Nico to work on some tracks with him. The first result of their production partnership, of course, being the immense ‘Bludclot Artattack’, an out-and-out darkside jungle classic which marked a new era in hardcore, pushing the music into the realms of what we now know as drum & bass.

Hooking up with another legend of the drum & bass fraternity, DJ Trace, Ed Rush began to hone his style and it wasn’t long before a fresh sound reared its ugly head. Blasting out of the Ed Rush studio setup like a breakbeat bullet, ‘The Mutant’ became another classic track and was swiftly followed by ‘Guncheck’, an instantly recognisable Ed Rush piece packed full of attitude and bashy basslines.

Fully immersed in crafting a style which was to become known throughout the world as Techstep, Ed Rush’s rise to prominence was now inevitable. Releases on Grooverider’s Prototype imprint and Goldie’s Metalheadz all confirmed his place as one of the leading producers in the new school of drum & bass elite. Not only was he making great music, but he was continuing to break new ground with his ideas and production techniques; new ground which would forever change the sound of drum & bass.

However, as we all know, it was Ed Rush’s team up with another great musical mind, Optical, that unleashed upon the world an album, a label and an audiological echo that would inspire thousands of copycat producers and spawn an entire generation of artists who, even a decade later, would still strive to come close to that Virus sound.

Dropping their immense debut album, ‘Wormhole’, upon an unsuspecting scene, Ed Rush & Optical literally created an entirely new set of rules for succeeding in drum & bass: Take a set of tracks considered too edgy for the major players of the time, add your own label and a pinch of self determination and you end up with what is widely regarded as the best drum & bass LP of all time!

Ed Rush & Optical have since moved through three more critically acclaimed albums, ‘The Creeps’, ‘Original Doctor Shade’ and the incredible semi-live project ‘Chameleon’, all with their own individual styles and personalities. 2009 sees them tackle the release of their fifth long player, ‘Travel The Galaxy’ a project which promises an eagerly awaited injection of that classic Virus future funk with a blend of today’s production techniques that will prove hard to resist.